The first idea behind this story was to profile life on Route 80, the east-west highway that connects Palm Beach County's very weathiest community to its poorest, with various degrees of urban and rural middle-class in between. The subject proved too unwieldy, so I dropped the road and kept the two extremes.

A TALE OF TWO STARKLY DIFFERENT COMMUNITIES -- ONE OPULENT AND THE OTHER, NOT FAR DOWN THE ROAD, TRAPPED IN POVERTY
Date: Sunday, March 4, 2007
Edition: Palm Beach Section: LOCAL Page: 1B
Byline: HOWARD GOODMAN COMMENTARY
They're united by one road. Two towns connected by 40 miles of highway -- and separated by just about everything else.
The road, known as Southern Boulevard, State Road 80 and other names, bisects Palm Beach County from the Atlantic Ocean to Lake Okeechobee; it crosses a Middle America of strip malls, box stores and burgeoning suburbia.
But at the two ends, you find the extraordinary -- two communities whose differences in wealth and status couldn't be starker.
At the ocean end, an international emblem of affluence, a place where the Gilded Age never ended. Palm Beach, described in a best-selling tell-all called The Season as "a sliver of land known throughout the world as the most wealthy, glamorous, opulent, decadent, extravagant, self-indulgent, sinful spot on Earth."
At the western reach, a poverty-haunted town immortalized by Edward R. Murrow's 1963 CBS News indictment of migrant living conditions, Harvest of Shame. Belle Glade, described in Vanity Fair in 2003 as "the saddest place in America."
The Rev. John Mericantante makes this drive at least once week. He's the resident priest at St. Mary's Catholic Church in Pahokee, a few miles northeast of Belle Glade and at least equally poor. His family, originally from Boston, owns an apartment in Palm Beach, and he visits every Monday to check on things.
In an hour and half, he goes from "a swimming pool and basking in the sun" to his church near Lake O. and his mostly Mexican congregants -- people "looking for a room to live in, food to eat."
"You start at Donald Trump's Mar-a-Lago and you end up here," he says.
"It's like going from Technicolor," he says, "to old black and white."